The field of view provides you with the best visual along with amazing transmission and contrast. Choose the appropriate focal length for your shooting situation. In this video, wolfcrow's Sareesh Sudhakaran shares the preferred focal lengths and lenses of 19 of our most beloved filmmakers, including Kubrick, Scorsese, Ozu, Spielberg, and Kurosawa. 35mm for smaller venues may be best, while those shooting with taller stages may benefit more from a 50mm. Left to right: Wide (18mm), normal (32mm), and telephoto (75mm) miniS4/i cine lenses from Cooke. A common focal length for close-ups is 85mm, but the focal length can be shorter or longer based on personal preference and on what your normal lens is. • AF-S NIKKOR 24-120mm f/4G ED VR—great focal length range and zoom flexibility have made this a favorite lens to shoot video on DSLR cameras. Even though many of the director's Sudhakaran mentions in the video use a variety of lenses in their films, it's still interesting to think about why some of them favor certain focal lengths over others. Focal Length. This lens continues the 16-35mm range with a good overlap, meaning that if you find yourself not needing to shoot super wide shots, you will love this lens as a general walk-around lens. You will see the surface in its real color just like the real one. So what would a three-lens kit look like? Focus breathing is when the lens’ tiny elements move back and forth when focusing. Overall, I'd say that the f/1.8 versions in these focal lengths are fast enough to provide a big benefit, while the cost savings over a f/1.4 lens makes these lenses a much more budget-friendly option. When choosing a focal length, you first must consider the sensor size of your camera. This changes the focal length (and the field of view) which is apparent when shooting videos. It depends on how much space you have. That said - A longer focal length will reduce perspective and lens distortions. The right focal length will depend on the type of venues you're working. The focal length helps to get the image of the surface closer so you can examine it better. Tele Vue Eyepiece. Additionally, a majority of the DSLR lenses tend to suffer from the problem of focus breathing. You should attempt to put at least 5 to 10 feet between the camera and subject. However, if you have the Canon 7D or 60D, your sensor has a crop factor of 1.6. It uses a higher field of view than SVBONY and Celestron in which this product is using 68 degrees field of view. It also depends on artistic meter. If you have a Canon 5D Mark ii, you have a full sensor camera and the focal length written on the lens is the focal length you can expect to see in your pictures. For full-frame 35mm, a common kit could be 24mm, 50mm, and 85mm. Nikons generally have a crop factor of 1.5. Related Post: Best DSLRs for Video Shooting. 4.