Now, you can get that luscious ribbon sound, only with the benefit of a hotter signal that gives you a lot more versatility — in terms of how you use it, and what preamplifier you use it with. A Sweetwater tip is in order here: This does not mean that passive ribbon mics are an obsolete relics! AEA tunes most of their ribbons to 16.5Hz, and as the R84A shares the same Big Ribbon as the rest of the company’s product range, it captures a smooth, natural, life-sized sound free of the resonance malfeasance that shorter ribbons and condensers may exhibit. With an outstanding clear, natural sound, the R84A is going to become your first-call pick on a number of sources — from vocals to brass instruments to strings, piano, percussion, and beyond. As the ribbon vibrates within the magnetic gap, it must move twice as far for every octave drop, hence a longer ribbon allows for further back-and-forth movement. Thinking about pickup up an AEA R84, but I'm debating between the getting the active version. Large-diaphragm Powered Ribbon Microphone with 141dB SPL Handling, 20Hz-20kHz Frequency Response, and High Output. Back in the day when RCA ruled the roost, ribbons microphones were, by definition, passive transducers. And the longer the ribbon, the lower the resonant frequency. World-class sonic performance and versatility The R84A rectifies most of the limitations of passive ribbon mics, whether in an orchestral setting, in remote recording applications with long cable runs, or simply when combining the smooth sound of a ribbon with a low-gain vintage preamp. The bass response is naturally enhanced by the proximity effect when close-miking, but because this is the intended role for the R84, the amount of boost is moderate and practical. This R84 is one of my prized microphones. The R84 series quickly endears itself to engineers and musicians due to its remarkably expansive frequency range complete with sweeping highs and booming lows.The R84’s balanced and manageable proximity effect just feet away from the source bolsters Have a suggestion on a course you would like to see us offer? Sound-wise, whether you use an R84 with a ribbon preamp or an R84A, the mics sound almost identical. Sensitivity of the R84 is -52dBV/Pa, and unlike its big (and much heavier) brother, the R44, the R84exhibits an impressive frequency response that gets up to 20 kHz(±3 dB). So far, it’s been established through physics that larger ribbons handle louder sound sources and higher sound pressure levels. The active circuitry also allows you to pair an R84A with any preamp to benefit from its color, while still reaching the full sonic potential of the mic’s low end, top end, and transient response.Since active mics require phantom-power, they are protected from any issues that may arise from hot patching and broken cables. Powered Version of a Classic Ribbon Favorite The exciting R84A is a powered version of AEA's acclaimed R84 microphone. The benefits of adding active electronics to a ribbon microphone, according to AEA, are: New York, NY 10004 The R84A exhibits the same award-winning sonic prowess as its passive stablemate, the R84. The R84A uses the same ribbon and transformer as the A440, and it delivers the same huge, award-winning sound — with just a bit more top end, which is a good thing. The exciting R84A is a powered version of AEA’s acclaimed R84 microphone. For virtual tips and inspiration, check out our videos on our YouTube channel. Used briefly in a smoke-free, pet-free home. The R84A works with a preamp of any impedance and has 12dB more output than the R84 giving you more flexibility when selecting a preamp to pair it with. 28 BROADWAY, The result is a true rendition of the source that engineers agree is remarkably close to what they hear when out in the tracking room. Now, you can get that luscious ribbon sound, only with the benefit of a hotter signal that gives you a lot more versatility — in terms of how you use it, and what preamplifier you use it with. We recommend clean, high-impedance preamps with a minimum input impedance of 1.2K ohms and at least 65dB of gain, such as the AEA RPQ2, TRP2, and RPQ500. With two channels of generous gain and ultra-low noise, engineers at Sweetwater have found the Ribbon Pre to be an outstanding microphone preamplifier with any mic that doesn't require phantom power. It’s basically an R84 with a built-in preamp. In addition, if the preamp paired with a passive ribbon does not have a high enough impedance, it can negatively affect the low end, top end, and transient response of the microphone. However, a low or very high input impedance on a preamp will not hurt a ribbon microphone. But you can use active (phantom-powered) ribbon microphones like the R84 with a broader range of preamps, including those typically found, for instance, in USB audio interfaces. Only one small blemish on the top of the black microphone casing (see photo). | CALL 646.747.0144, Intro To Ableton Live Online – Accelerated, Intro To Logic Pro X Online – Accelerated, Ableton Live: 6 Weeks to Develop Your Sound, NYC – Mixing for Producers: Go Beyond the Basics, Black Friday starts now and there's still time to, We're excited to announce that 2017 DMC World Cham, EMC Tech Guru, Dave Jones, hopped on a live stream, Serato DJ Pro is one of the most popular DJ tools, Here’s a clip of EMC’s Dave Jones demonstratin, Mixing for Producers: Go Beyond the Basics, Acacia LIZ Pro Headworn Microphone for Audio-Technica Wireless (cW), Ableton Push 2 Software Controller Instrument with Live 10 Intro, Phantom powered (48V) version of AEA’s classic R84 with 12dB more sensitivity, Same award-winning sound as the passive R84, Well-controlled, native figure-8 polar pattern, Compatible with any preamp and input impedance, Custom German toroidal transformer and JFET electronics.